Still Shakespeare and the Photography of Performance, is available from Cambridge University Press (published December 2019).


‘Photographing Titus Andronicus: textual fidelity, spectacle and the performance tradition,’ Theatre Journal 69.4 (December 2017), pp. 555-571.

‘Site-specificity, archaeology and the empty space at the contemporary Rose Playhouse,’Shakespeare Bulletin, 35.2 (Summer 2017), pp. 207-226.

‘“Never did nor never shall”: Shakespeare quotation and nostalgic politics in 2016’
EMC Imprint, accepted, forthcoming 2019.

‘Agincourt, Waterloo, Normandy: Screening Henry V and re-organizing British history for the royal family.’
Under review for a Special Issue of Shakespeare Bulletin.


I am co-editing with Nora Williams a special issue of Borrowers and Lenders, titled ‘Shakespeare and Politics Between Media.’ It is currently under review; publication is projected in late 2019/early 2020. The special issue is based on the seminar ‘Remediations of Early Modern Drama’, which we led at the 2018 meeting of the Shakespeare Association of America.

Reviews (Books)

Photography and Other Media in the Nineteenth Century, ed. by Nicoletta Leonardi and Simone Natale (Pennsylvania State University Press, 2018) and Paper Promises: Early American Photography, ed. by Mazie M. Harris (Getty Publications, 2018). Times Literary Supplement, 22 February 2019, p. 29.

Shakespeare by McBean by Adrian Woodhouse (Manchester University Press, 2018). Times Literary Supplement,11 January 2019, p. 5.

Antitheatricality and the Body Public by Lisa A. Freeman (University of Pennsylvania Press, 2017) and Theatre and Governance in Britain, 1500-1900: Democracy, Disorder and the state by Tony Fisher (Cambridge University Press, 2017). Times Literary Supplement, 23 February 2018, ‘Theatre,’ p. 33.

The Story of Drama: Comedy, Tragedy and Sacrifice from the Greeks to the Present by Gary Day (Bloomsbury, 2016); Dramaturgy and Dramatic Character: A Long View by William Storm (CUP, 2016) and Theatre Criticism: Changing Landscapes ed. by Duška Radosavljevic (Bloomsbury, 2016). Times Literary Supplement, 26 May 2017, ‘Theatre,’ pp. 32-33.

Shakespeare for Everyman by Don-John Dugas (Society for Theatre Research, 2016). Times Literary Supplement, 21 April 2017, ‘Literary Criticism,’ pp. 10-11.

Julia Margaret Cameron by Tristram Powell (Pallas Athene, 2016). Times Literary Supplement, 7 October 2016, ‘In Brief.’

Singular Images, Failed Copies: William Henry Fox Talbot and the Early Photograph by Vered Maimon (University of Minnesota Press, 2015). Times Literary Supplement, 17 June 2016, ‘In Brief.’

The Drowned Muse: Casting the Unknown Woman of the Seine across the Tides of Modernity by Anne-Gaëlle Saliot (OUP, 2015). Times Literary Supplement, 29 April 2016, ‘Cultural History,’ p.11.

Lewis Carroll: Photography on the Move by Lindsay Smith (Reaktion, 2015). Times Literary Supplement, 1 April 2016, ‘In Brief.’ 

Reviews (Performances)

‘Review of Shakespeare’s The Tragedy of Richard II (directed by Joe Hill-Gibbins) at the Almeida Theatre, London, 18 December 2018,’ Shakespeare 15.2 (2019), pp. 200-202.

‘Review of Shakespeare’s Macbeth (directed by Rufus Norris) at the National Theatre, London, 26 April 2018,’ Shakespeare 14.4 (2018), pp. 424-26.

‘Review of Francis Beaumont’s The Knight of the Burning Pestle (directed by Adele Thomas) at the Sam Wanamaker Playhouse, London, 27 February 2014,’ Shakespeare, 10.3 (2014), 349-352.

My online theatre reviews from 2010-17 are available here.